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Steve Morse injects Coldplay with some Deep Purple flair as he adds a guitar solo to mega-hit Fix You
By Phil Weller published
The British pop rock giants don’t really do shred, so what happened when Morse got his hands on the track?

PRS has resurrected its Mira model – and says it's better than ever
By Phil Weller published
The budget-friendly and versatile solidbody was discontinued in 2013. Now called the S2 Mira 594, it’s back with some key upgrades

A guitar once owned by Jimmy Page and given away in a magazine competition goes for over three times its estimate at auction
By Janelle Borg published
The 1957 Gretsch Chet Atkins 6120 was originally bought by Page in 1972 and won by a New Music Express reader

Get more from Guitar World: How to make Guitar World a preferred source in your Google Search results
By Michael Astley-Brown published
Never miss a Guitar World story again

Marcus King on the vintage guitar he accidentally bought while drunk
By Janelle Borg published
King recently played Rory Gallagher’s famed white Fender Telecaster and Jeff Beck’s iconic Yardburst Les Paul

The Boss PX-1 Plugout FX backlash has gone viral – but is it justified? We put the biggest criticisms to Boss
By Matt Owen published
We leveled 5 of the internet’s most common issues with the divisive PX-1 to its maker. Now Boss has set the record straight

Bryan Adams looks back on the time he crossed Fenders with the world’s biggest popstar on one of his most iconic hits
By Janelle Borg published
Adams recalls the time he joined Swift on stage to perform one of his most well-loved songs

Kirk Hammett let Al Di Meola play his iconic Greeny – so the fusion virtuoso let him play his prized Elegant Gypsy Black Beauty
By Phil Weller published
The two guitar greats let each other have a go on their cherished Les Pauls

Sting's legal representatives claim Andy Summers and Stewart Copeland may have been “substantially overpaid” following lost royalties lawsuit
By Janelle Borg published
Summers and Copeland claim that Sting owes them “in excess of $2 million” for income made from the “digital exploitation” of the Police’s back catalog
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